The movie closes with T’Challa building an outreach center in Oakland to help the

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Welcome to this Wisecrack Quick Take on Black Panther!

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Directed by: Robert Tiemstra
Written by: Matthew Theriault
Edited by: Mark Potts
Produced by: Emily Dunbar & Jacob Salamon

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Is Black Panther's Killmonger the Best Villain Since the Joker? – Wisecrack Quick Take

a bunch of community outreach as well so 

Techquickie

What is a proxy, and what can a proxy be used for?

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How to Deal With Uncertainty as an Entrepreneur

It doesn't help that the EU is terrible at outreach

It doesn't help that the EU is terrible at outreach,

Kurzgesagt – In a Nutshell

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Is the European Union Worth It Or Should We End It?

Cousteau’s outreach and the organizations he helped create helped both scientists and

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Underwater Discovery and Adventure: The Story of Jacques Cousteau

So we just saw Black Panther, and gotta say it’s probably one of the better Marvel films;

and the element that elevates it is something rarely seen in the MCU: a complex antagonist.

Even the best Marvel films feature villains that fit the same generic pattern: try to

take over the world for reasons that are rarely more complex than they are for Pinky and the

Ego wants to take over the universe because he’s egotistical.

Hela wants to take over Asgard so that she can then take over the Nine Realms.

And Hydra wanted to take over the world because they’re literal Nazis.

He’s got compelling and relatable reasons motivating his attempted at global conquest,

so much so that we found ourselves asking: is Killmonger the best superhero villian since the joker?

Welcome to the Wisecrack QuickTake on Marvel’s Black Panther.

Simply put, he’s seeking retribution for the injustices leveled against people of African

This includes the obvious like slavery and segregation, but also other wrongs including

redlining, in which unfair government loan policies forced blacks to live in ghettos,

and racial profiling by police, in which increased patrolling in impoverished black neighborhoods

contributes to the mass incarceration of black men in America, a plight which current Black

Panther writer Ta-Nehisi Coates often writes about.

And by the way, if you’re interested in hearing more about Coates and other Afro-pessimistic

views are being expressed in pop culture, I shamelessly recommend listening to the “Get

Out” episode of our movie podcast, Show Me the Meaning.

Anyway, though these injustices are only obliquely alluded to in the film, (including a humorous

bit with Shuri calling Bilbo a colonizer) they form the obvious subtext every time Killmonger

mentions the plight of blacks living outside of Wakanda.

A plight that Wakanda could presumably fix.

And this leads to one of the film’s central questions: should Wakanda do more to address

Initially, the Wakandans want to maintain their isolationist politics, and Killmonger

wants to conquer the oppressors, thereby colonizing the old colonial powers.

This juxtaposition of Isolationism versus Colonialism

introduced by Killmonger that characterize the thematic structure of Black Panther.

So what do I mean by “false dichotomy?”

Throughout the film, Killmonger prompts a number of binaries such as Isolationism versus

Colonialism, or Traditionalism versus progress.

But as the film ultimately reveals, there’s no reason to look at these issues as a choice

There’s usually a third way, a middle path between the two extremes, or what Aristotle

And this ‘Golden Mean” defines T’Challa’s character arc.

T’Challa grows when he learns to avoid the simplistic solutions at the far ends of the

The first is a question of how to construct a group identity: national identity versus

The people of Wakanda are extremely nationalistic.

They view the world as divided into two groups: Wakandans and everybody else.

This leads to a “Wakanda First” attitude among many citizens.

They’ve built walls, refuse refugees, reject trade, and offer no foreign aid, all in the

name of protecting Wakanda, because they value the lives of those who share the same heritage

But Killmonger, having grown up in America, has developed a strong sense of racial identity.

For him, because Wakndans have the same skin color as blacks in the rest of the world,

Wakandans should see themselves as part of a global black community.

Among the first things he says when he takes the throne is something like “all around

the world, people that look like us are suffering.”

In his speech to the United Nations at the end of the film, T’Challa rejects both the

Wakandan’s nationalism and Killmonger’s ethnicism, and instead accepts the middle

He specifically states that all of humanity is one tribe.

It’s a surprisingly color-blind message, but a welcome one.

The second false dichotomy is Traditionalism versus Progress.

For all of its technological advancements, Wakanda is an extremely traditional society;

regularly engaging in ancient rituals such as the combat for the crown or the ingesting

For Killmonger, progress requires getting rid of traditions, such as when he destroys

the garden of heart-shaped-herbs and refuses to continue the ceremonial combat with T’Challa.

One could even say his philosophy echoes that of Kylo Ren: “Let the past die.

For T’Challa, the middle ground is keeping what traditions he can but rejecting what

wasn’t working, specifically Wakanda’s isolation and its hostitlity with the Jabari.

The film’s final false dichotomy is the aforementioned Isolationism versus Colonialism.

Most Wakandans believe continuing their centuries-old tradition of isolationism to be the most prudent

path to maintaining peace, including, initially T’Challa.

Killmonger, on the other hand, subscribes to a theory mentioned frequently in the film

 that the world is getting smaller, and you're either the conquered or the conquerers.

Killmonger’s Solution: the Wakandans should take part in the same harmful colonialism

that’s afflicted black individuals for centuries.

Killmonger seeks to repay historic injustices tit-for-tat by arming oppressed black communities

around the world with advanced weaponry and inciting race riots and radical revolution.

Killmonger’s political philosophy is reminiscent of the French Revolution, which was fueled by

fantasies of the oppressed exacting revenge upon their oppressors.

Killmonger’s desire for vengeance is so impassioned that he seems to give no thought

to governing after destroying Western society.

Like his construction of color and race, this too is a result of his American upbringing.

Killmonger’s story is like that of many African Americans for whom military service

And it was the American military which trained him in the art of regime change, his time

in the special forces having been spent overseeing various coups and conquests in the middle

Test your pronunciation!

“outreach”