The upload which inserts Carrie’s mind into the back seat of Jack’s brain allows her

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Directed by: Robert Tiemstra
Written by: Matthew Theriault
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Produced by: Emily Dunbar & Jacob Salamon


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Black Mirror: What's the Point? (SPOILERS) – Wisecrack Quick Take

your upload speeds at the end of the day 

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Can Your Router AIM Your WiFi? - BeamForming Explained

uh which is amazing it worked just very simply  you just uh upload them here you redownload the  

uh which is amazing it worked just very simply  you just uh upload them here you re-download the  

Flux

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Linus Tech Tips

MOS Organizer: Use offer code linustech25 to save 25% on https://lmg.gg/mosorganizer until Christmas

Private Internet Access: Sign up for Private Internet Access VPN at https://lmg.gg/piawan 

Savage Jerky: Use offer code LTT to save 10% on Savage Jerky at https://lmg.gg/savagejerky

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Timestamps Courtesy of Jason Dong

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APPLE CAN'T SELL iPHONES IN CHINA  - The WAN Show Dec 14 2018

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Boarding a US NAVY NUCLEAR SUBMARINE in the Arctic - Smarter Every Day 240

The fourth season of this modern Twilight Zone just dropped on Netflix, and with it

some truly thought-provoking episodes including a loving homage to Star Trek, an Apache among

helicopter parents and a rather utopian alternative to Tinder.

In the wake of season three’s super popular San Junipero the show has traded its trademark

pessimism for a slightly more positive tone, injecting a measure of justice and happiness

But it’s in the season finale where the show does something drastically different.

Black Museum not only provides the high concept technological nightmare we’ve come to expect,

but reflects on the legacy and function of the show as a whole.

Black Museum asks: What is even the purpose of Black Mirror?

Welcome to this Wisecrack Edition on the Philosophy of Black Museum.

The episode follows a young woman named Nish as she’s given a private tour by proprietor

Rolo Haynes of the eponymous Black Museum, a seeming tourist trap that houses a collection

of “authentic criminological artifacts.”

Viewers will be sure to spot a number of prominent props from past episodes including the DNA

analyzer from USS Callister, the parental control pad from Arkangel, the bloody bathtub

from Crocodile, and even the strange symbol-marked ski-masks from White Bear.

They’re visual clues to the viewer that Black Museum is a metatextual reflection of

The artifacts it contains serve as physical representations of the episodes they appeared

in, and even the name Black Museum is deliberately evocative of the show’s title, Black Mirror.

Like the holiday special White Christmas, Black Museum is an anthology within an anthology,

with three separate subplots loosely connected by Rolo Haynes’ narration.

In utilizing this same anthology structure, Black Museum is mirroring the format of Black Mirror.

But if the exhibits in the background represent past episodes, what do the three new gadgets

 Dr. Dawson’s symphatic diagnoser, the Monkey stuffed with Carrie’s consciousness,

and Clayton Leigh’s holographic holding cell represent?

Each item is an interface for human consciousness; a more direct means of what television and

These fictional items represent the different ways our current technology both connects

Dawson’s implant connects him and his patients, signaling their sensations to him via the

And the thin screen separating Clayton’s consciousness from the museum’s visitors

creates emotional distance akin to the distance between fictional characters and desensitized audiences.

Dawson’s subplot comments on media’ ability to let us empathize with characters and experience

thrills without any physical ramifications.

Jack and Carrie’s story reflects media’s ability to turn us into voyeurs, Clayton’s

story reflects on the guilt-free gratification we get from consuming violence in media.

In all of these cases, technology allows individuals to experience things vicariously.

This episode dramatizes what all fiction generally does, and what Black Mirror as a television

All fiction is delivered to us via a medium in the case of Black Mirror, through television

Television itself is, in Rolo’s words, a receiver for human experiences.

And one that often, as Rolo says, offers:

With a particularly compelling show like Black Mirror, we become increasingly invested, and

share in the same sense of joy in San Junipero as Kelly and Yorkie, the same indignation

as Bing in Fifteen Million Merits; the same initial prejudices and gradual awakening as

For philosopher Martha Nussbaum, this kind of connection is emblematic of narrative’s

Narratives, according to Nussbaum, free us from the parochial confines of our own lives

and places us in a position both like and unlike our own.

“Like, in that we are emotionally involved with the characters, active with them, and

aware of our incompleteness; unlike, in that we are free of certain sources of distortion

that frequently impede our real-life deliberations.”

For example, Take, a character like Bing in 15 Million Merits.

His love for Abi might remind us of our own lives, but, unlike Bing, we're not sent on

a downward spiral when that love is lost, yet we can still experience it from a distance...

Black Museum, however, explores the danger of this distancing effect through Dr. Dawson’s

subplot, and it is here that the episode looks at the potentially desensitizing nature of

In a series which premiered with the Prime Minister of Britain fucking a pig, maintaining

that same sense of shock requires increasingly more shocking scenes.

Thus they need to surprise audiences in Shut Up and Dance by revealing that the protagonist

they’d been rooting for had been in to kiddy porn.

What did you do Kenny? They're saying it's kids...that you've been looking at kids?!

Only to be topped in the subsequent season in Crocodile as experience an average human being transition from

Per Rolo as the show progressed, our “relationship with pain had shifted.”

We’re not merely desensitized to the violence on screen, we take a twisted kind of pleasure

But Black Museum is ultimately not apologetic for engaging in such extreme emotions, arguing

through its third subplot that the show is not empty sensationalism, but rather has a

In the main exhibit of the Black Museum, we see what remains of Clayton Leigh, the alleged

murderer whose arrest and execution had been alluded to throughout the episode.

Like Carrie in the monkey, his consciousness continues on even after the expiration of

his physical body, albeit this time as a self-aware hologram..

As the museum’s grand attraction , visitors are invited to pull the switch themselves,

not merely inflicting real torture on this Leigh, but in the process creating a sentient

souvenir, that eternally experiences the moment of execution.

Similar to White Christmas in which the cookie of Joe is confined to a virtual cabin for

what he experiences as hundreds of thousands of years, it’s the the punishment made perpetual–

that most offends our innate sense of proportionality; even had he committed the crime, no finite

As such, the show forces us to empathize with one character who may be a murderer, and another

absolutely guilty of man-slaughtering a child on Christmas.

We don’t merely feel bad for them; from the safe distance of our side of the screen,

Likewise, we feel a sense of vindication when our audience-surrogate Nish revealed to

be Clayton’s daughter and carrying her mother inside her head enacts retribution against Rolo.

It’s not just that Nish seeing the suffering of her father or hearing the story of Carrie

engendered empathy in her; it’s that such empathy then motivated her to moral action.

This is Black Museum’s statement about how Black Mirror sees itself and its purpose.

Test your pronunciation!

“upload”